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普莱斯顿·斯特奇斯
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苏利文是好莱坞以喜剧走红的年轻导演电影(乔尔·麦克雷 Joel McCrea 饰),但他不满现状,想将下个作品拍成反映社会底层困境的严肃题材。为了体验底层生活,他打扮成身无分文的流浪汉深入民间,但无论他怎么尝试,最后总是又回到了好莱坞。后来他遇到一个事业失败的女演员(维 罗妮卡·莱克 Veronica Lake 饰),让她上车搭了一程,却被误认作小偷送入了警察局。释放之后,苏利文听从女孩的建议,和她结伴一起流浪。这次,他真的成为流浪汉,吃剩饭,睡收容所。最终,苏利文觉得体验足够想要离开收容所时,却被贪婪的流浪汉击晕。一个被火车压死的小偷被误认是苏利文,所有人都以为他死了。与此同时,苏利文醒来之后失忆了,混乱之中打伤一个工人,被判入劳改所6年。他在狱中感受到笑声对他的重要性,当他恢复记忆后,他逐渐认识到喜剧能够带给穷人更多。但是,苏利文遇到了问题,他不能说服任何人他就是苏利文,他该怎么恢复自己的身份?
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Tim Muñoz
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An LGBT-themed horror film set in a rural town in the Philippines. A remote village is gripped with fear. Its residents are missing one by one. Now a young nurse is in town to care for an ailing Don Filipo. Will he be the next victim?
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迈克·文辛斯基
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The action of the film takes place in 1943. The title character is a cosmopolitan and incapable of deeper feelings seducer. In Poland, he lost his entire family. Alone - being in the heart of Nazi Germany - he hides his Jewish origins and often eludes death. He works as a waiter in the restaurant of an exclusive hotel and carelessly enjoys all the charms of life surrounded by luxury, beautiful women and friends from all over Europe. However, when the war begins to take a bloody toll on those closest to him, the intricately built world that surrounds him crumbles like a house of cards.
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詹姆斯·班宁
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内详
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James Benning’s first film called The United States of America was a 1975 trip across the country, capturing its scenery through a car windshield. This second one also crisscrosses the nation, but without a car, carving it up instead into a series of static shots of just under two minutes, one for each state, presented alphabetically, from Heron Bay, Alabama to Kelly, Wyoming. The names of the places are nondescript, but the images attached to them are anything but, immaculately composed shots of landscape, cityscape and the spaces in between. As we move from A to Z, the images coalesce into a portrait of today’s USA, tracing out its fault lines almost in passing: fenced-off facilities, a river bed running dry, factories and refineries, run-down streets and gas stations, a camp under a bridge. The past is there too, seeping up through the songs and speeches that sporadically pierce the background noise or the motifs that evoke a whole career the clouds, trains and cabins are stand-ins for films, not just states. As always, there’s time for more abstract thoughts too: each image may stand for a state, but representativity is slippery. Which state is more cinematic than the rest?
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加布里埃尔·阿布兰特斯
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When Edward’s search for his birth family takes him and his girlfriend Ryley to a magnificent villa high in the mountains of northern Portugal, he is excited to meet his long-lost mum and twin brother. Finally, he’ll be able to find out who he is and where he comes from. But nothing is as it seems, and Edward soon discovers that he is bound to them by a monstrous secret. First foray into horror by one of the surest assets of Portuguese cinema. After the visual delirium of “Diamantino” that won him the Critics’ Week prize at Cannes, Gabriel Abrantes surprises with a more classic horror film around the mystery of family origins, but also following the Portuguese canon of country vs. city. Carloto Cotta in a double performance, Alba Baptista and Anabela Moreira in very challenging roles. 源自:https://poff.ee/en/film/amelias-children/
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斯蒂芬·弗雷斯
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夏洛特(凯茜·贝茨 Kathy Bates 饰)和米雪儿(米歇尔·菲弗 Michelle Pfeiffer 饰)是多年老友、闺蜜,她们曾经是裙下臣甚众的交际花,如今年华老去,只能在华屋美食间消磨时光回忆往事。夏洛特的儿子谢利(鲁伯特·弗兰德 Rupert Friend 饰)十九岁了,她很为儿子沉迷酒色担忧,因此把他交给米雪儿管教。虽然一个徐娘半老,一个风华正茂,但两人不可避免地相爱了,米雪儿成了谢利的导师和情人,他亲昵地叫她“诺诺”,米雪儿为自己多年没体会过的炽热情感而害怕,因这毕竟是一段禁忌的关系。谢利不可避免要走入婚姻,娶了同龄的富家女孩,但和米雪儿的关系却没办法轻易了断…… 影片根据法国作家科莱特的同名小说改编。
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黄伟杰
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在一个歌舞升平的安宁盛世,当今圣上广开新政,气象万千。在全国最高等的学府弘文学院,圣上提出开办武举、创立女学。肩负着朝廷重任的柳傲天(吴奇隆 饰)前往弘文学院应聘先生,一路上阴差阳错娶了绿林好汉的女儿路云霏(刘诗诗 饰)却落荒而逃。在此之后,路云霏、宋文文(吴映洁 饰)、慕容月(周奇奇 饰)、范大同(叶祖新 饰)、金仁彬(张哲瀚 饰)等数个性格各异的男女学生进入弘文,在傲天的带领下呈现了欢快有趣的新气象。然而一股不知名的势力却处心积虑想要倾覆弘文学院。守旧势力和革新派,钩心斗角,暗潮涌动。 站在时代风口浪尖上的弘文学院,即将面临最为强烈的风暴……
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基里尔·谢列布连尼科夫
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影片由基里尔·谢列布连尼科夫(《彼得罗夫的流感》《盛夏》)执导,帕维乌·帕夫利科夫斯基(《修女艾达》《冷战》)编剧,根据法国作家埃马努埃莱·卡雷尔撰写,描绘俄罗斯激进诗人、持不同政见者爱德华·利莫诺夫的传记小说改编。小说有着这样一段描述,“激进苏联诗人的骇人冒险:一个纽约的流浪汉、一个引起法兰西轰动的人、一个俄罗斯的政治人物”。 利莫诺夫个人生活极富传奇色彩,在曼哈顿他是富豪的管家,在巴黎他是作家,在俄罗斯他则是布尔什维克党的政党领袖。影片对白语言会根据拍摄地俄罗斯、纽约、巴黎的变换而对应转变。
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Pietro Daviddi,David Gallerano
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如今的意大利小姐比赛因为丑闻和不断变化的审美标准而变得风雨飘摇。在这一经典选美大赛的光环背后,总导演帕特里奇娅·米里利亚尼力挽狂澜





























